A cura di Mauro Civai
The Architecture and the History
The Palazzo Pubblico has always represented the centre of civic life for the citizens of Siena; it has frequently been at the centre of the most significant events in the history of the city. Its interior walls are illustrated, side by side with images of the divine, with images of the important characters from Siena’s history, a past rich in events of great importance that reached far beyond the city walls. It was the Signori Nove that requested the construction of a new seat for the government, a Palazzo that could respond to the growing functions and requirements of an oligarchy in continuous expansion, while also considering the aesthetic ideals of a political class well aware of its role and confident of its own future. The construction of the Palazzo achieved exceptional results in part due to the precise urbanistic decision to incorporate the building into the grandiose space that is the Campo. The new construction was a focal point that could attract the attention of anyone, regardless of where they stood in the Piazza. Like a theatre set, the Palazzo was used by the city’s governors to display their power and to underline a proud liberty.
The interior
The decorations that testify to the wisdom and taste of the new governing class of the city were entrusted to the most important Maestri of Sienan art. The presence of the Maesta by Simone Martini painted in 1315 in the Sala del Mappamondo confirms the governing committee’s inspired choice in the decoration of the interior. The committee aimed to balance civic pride with a fervid devotion to the Virgin and the other Saints of Siena. In the same Sala another fundamental mediaeval concept is expressed: the growing faith in the possibilities of man. This concept is encapsulated in the story of Captain Guidoriccio da Fogliano, conqueror of castles in the name of the Republic of Siena, a story that was beautifully remembered in the ‘cycle of Buongoverno’, painted between 1337 and 1339 by Ambrogio Lorenzetti.
Beside the Palazzo is the Torre del Mangia, a thin brick column completed in bright Travertine.



